Dave AKA SÖNUS returns to Derry and Toms to dive into the fast-paced and very metal, yet weirdly just OK-ish first part of The Mad God’s Amulet, second in the Hawkmoon sequence The History of the Runestaff.
As always, digressions await the unwary traveller as well as ostentatious coughing and just excellent pants.
It’s been a joyous few weeks since I sent out the Patron Demon and contributor copies of Vol II of the Journal and I’ve heard back from most folks that they arrived safe and sound across the globe. So, despite frequent reports to the contrary, Brexit has not quite fucked up our postal system.
Sunlit Uplands and all that.
Since bunging FotP Part One out in May we continue to get some nice feedback from various angles around the social media landscape. It’s very satisfying. We’ll be hitting you up with part two very soon but, in the meantime, Hussein is coming back to Derry & Toms to pick up our last bits of chat around The Final programme. Back when we did Phase Three we didn’t spoil the climax, which is quite unlike us as we generally spoil everything. However, part of the reason for our return to JC is my successful effort to convince H to dive into the film adaptation and having done that there are things to talk about. If you’ve seen the film you’ll be fully aware that one can’t really talk about it WITHOUT looking at the different approaches to that climax. So that’s coming up very soon and I would dearly love to coerce him into watching a few other films that, in my opinion, align with The Final Programme rather nicely (Jubilee, The Bed Sitting Room, Performance, any of Lindsay Anderson’s Mick Travis trilogy but probably Britannia Hospital in particular… there are many others). As it took me months to get him to do this though, that may be a long shot.
Meanwhile, in music news, I came across experimental, electronic music duo Network 23 and their epic release Elric of Melniboné. I dropped them a line via Bandcamp and they groovily allowed me to give them some airplay (netplay?) on BITR Radio too. Very cool. The album is excellent, driving electronica with some rock overtones and also has a really nice cover c/o Isra Llona. Their discography is extensive and there’s plenty to go at including some atmospheric Lovecraft-inspired ambient pieces if that’s your bag. Check their gear out and give them some support if you can.
I have something of a mixed relationship with HPL. Oddly, I never got any of his stuff from Pops and only became aware of him due to the one-liner from him on the cover of the Sphere edition of The House on the Borderland by William Hope Hodgson, describing it as “a classic of the first water”. Later, I came across the Call of Cthulhu RPG in an early issue of White Dwarf and decided to give him a look. I picked up the Grafton editions with the excellent but entirely misleading Tim White covers. I was a bit underwhelmed by most of it but did come to appreciate bits and pieces in later years, although it’s a good twenty or more since I gave them any real attention. As HPL is much maligned (including by MM himself as briefly touched upon in the Wizardry and Wild Romance episode) and more recently has received much criticism for his politics and attitudes to race, I have been thinking about dusting off his Dreamlands cycle for another look. Not to pull him apart for any of the aforementioned reasons particularly, but rather because I do remember enjoying them more than his ‘Mythos’ heavy tales. Also, I was listening to The Silver Key again by Ah Pook the Destroyer on a long drive recently, an excellent album. Don’t be put off by the odd name. They recently followed that up (after a ten year hiatus) with The King in Yellow, also well worth a listen. They are quite theatrical but thoughtful, layered and proggy as fuck.
Anyway, should anyone be interested in listening to us waffle on about Randolph Carter, the Plains of Unknown Kadath, Thog, Ghouls and the Cats of Ulthar, give us a shout.
That’s all for this update, TFP Phase Four (The Last Days of Man on Earth) coming in the next week or so.